- #PIXELMATOR REVIEW FOR MAC FULL#
- #PIXELMATOR REVIEW FOR MAC SOFTWARE#
- #PIXELMATOR REVIEW FOR MAC WINDOWS#
It’s also worth pointing out that these are non-destructive adjustments, and it is possible to edit in full 16-bit colour depth, too. Without going through each and every one of these tools in detail, it suffices to say that they all operate in a fairly industry-standard way, and I have encountered no usability issues with any of them. It’s very nice to see vector tools in a bitmap editor. Even a small batch of vector tools is provided the likes of Bezier and Line are limited in their abilities, but they are surely a welcome addition to the workflow of most designers. On the design front, there is a specialist splicing tool, which genuinely expedites the image-chopping process by making areas selectable with a click. Most things that a photographer - or former PS Elements user - might want can be found here, including the likes of Curves, colour-specific levels, and Transform. It means that there are a lot of options crammed into this area, but their organisation into sections (along with the drop-down navigation menu provided) makes finding the desired effect relatively easy. The most interesting thing, though, is that this panel is the hub of the app - no standard adjustment offered by Pixelmator can be found in the menu bar.
The range includes basics, such as various forms of Blur, Sharpen, Distort and Colour Adjustments, right through to the plain wacky. The Effects panel, for instance, is filled with filters that can tease, tweak and twist a photo into whatever style you desire. The Effects panel makes for easy navigation. The reason I raise this is because each person’s intended use for Pixelmator heavily influences the judgement of the tools on offer. I approach this review, primarily, with the mindset of a photographer and a web designer. It isn’t the most on-trend look, but it works, and that must be commended. Atop the dark-as-night background, the icons are pictorial, while the previews of effects are animated, and visually self-explanatory. The other main impression I get from this interface is an emphasis on user-friendliness. It is all very familiar, but the starting point is to hide things that aren’t being used, and allow them to be summoned via the top-bar menus, rather than automatically cluttering your view. However, there’s a vertical menu of tools, a list of layers and an effects menu.
#PIXELMATOR REVIEW FOR MAC WINDOWS#
By default, its tool palettes and windows float above your desktop, instantly providing a lighter feel than Photoshop’s overwhelming visual environment. I think Pixelmator walks this precarious line quite deftly. Pixelmator’s interface is clean and clear Of course, simplicity is vital - it is the primary reason why an app buyer would avoid the standard Adobe route - but a Photoshop-style layout is what users have come to expect. But what is the LTT verdict? Read on to find out… Interfaceįor an app like Pixelmator, there is a difficult line to tread when it comes to usability. One such alternative offering is Pixelmator (£20.99/$29.99), an app that has gained acclaim in some reviews. For this reason, many lightweight editors have sprung up in recent years, aiming to capture the audience that is put off by even Photoshop Elements’ needless complications and unhelpful quirks.
#PIXELMATOR REVIEW FOR MAC SOFTWARE#
To describe it simply as a photo editor does not fully encapsulate the far-reaching influence Adobe’s software has had on graphic design, photography, digital illustration, and the apps which cater for these creative disciplines.īut today, when swift edits are the name of the game, history counts for nothing. It is undeniably the case that Photoshop is a defining application in modern computing. The Bottom Line: A top quality image editor at a remarkably affordable price.
The Good: Great interface, good range of tools, stable, 16-bit editing, fast, price, vector tools.
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